Amy Geller (Producer) got her start in film as the Associate Director of the Boston Jewish Film Festival, where she worked for two years before becoming involved in production. Geller served as television field producer and production manager for J. Arnold Productions, whose work is seen regularly on network television, A&E, HBO, MTV, ESPN, Discovery Channel, PBS, and CNN. In 2001 and 2002, Geller served as President of the Board of Women in Film & Video/New England, a twenty-year old women’s media organization that supports and promotes the work of women in the greater Boston area. In addition to acting as producer and line producer on several shorts and documentaries, including the ambitious PBS docudrama Murder at Harvard, she just finished co-producing a mini-series on the French and Indian War, also slated to air on PBS in the fall of 2005.

Michael A. Jackman (Co-Producer/Post Supervisor) has over 17 years experience in all aspects of motion picture development and production. He has served as a Post Production Supervisor for films such as Eternal Sunshine of the Spotless Mind, Gangs of New York, The Aviator, Auto Focus, Any Given Sunday, New Jersey Drive, Naked In New York, Oleanna, and Basquiat.

Richard Rutkowski (Director of Photography) began shooting independent feature films and working as a camera operator/second-unit cameraman on larger productions in 1997. Recent credits include the feature films Unfaithful, Requiem for a Dream, Chelsea Walls, Tax Day, and Kill by Inches, as well as many shorts, commercials, and music videos. He was nominated in 2003 for a “Best Cinematographer” Independent Spirit Award for shooting Interview with an Assassin. His numerous credits as a first camera assistant include the features Even Cowgirls Get the Blues, Kids, Flirting with Disaster, Copland, Three Seasons, and The Buena Vista Social Club.

Alec K. Redfearn (Composer) is a composer/songwriter/free improviser/accordionist who has been based in Providence, RI, for 15 years, and has toured extensively throughout the U.S. and Europe. He has played in over 30 bands and has been involved with dozens of theatre, dance, and film collaborations. His main band since 1997 has been Alec K. Redfearn and the Eyesores, which has performed as a chamber trio or quartet with accordion and strings, as a rock trio of accordion, guitar and drums, and as a big band with strings, guitars, drums, electronics, brass, and hurdy-gurdies. Alec’s compositions are fiercely individual and very difficult to categorize. Last month, The Village Voice wrote that in their new album, the Eyesores “alternately wriggle through the grit like Tom Waits with a throat full of honey and approximate the lost Hindi blaxploitation film music of Weimar-era cabaret.” Alec has created soundtrack music for several film projects by Laura Colella. In the past, they also collaborated on a number of short video works that were projected with live musical accompaniment for a recurring Providence event called Movies with Live Soundtracks. Currently, they are working on a film for Alec’s half-hour song cycle entitled I am the Resurrection and the Light.

Daniel Pellerin (Sound Designer) has 30 years of experience as a sound mixer, and has mixed over 100 films. He mixed all features by filmmaker Atom Egoyan, such as Ararat, The Sweet Hereafter, and Exotica, as well as many others, such as All the Real Girls, Hedwig and the Angry Inch, American Psycho, Halloween: Resurrection, and Auto Focus.